But if you are a team that collaborates regularly, you can set up your drives to match each other’s and employ other strategies to render your systems effectively the same. Something like Kontakt might be tricky since it will look for samples on drives that may not exist on one of the systems. If you indeed have some of the same third‑party extras, feel free to include them. It might be wise in this case to limit your instruments and effects to Logic’s offerings. The main obstacle with this type of collaboration is getting the Logic session files to open easily and completely intact on each producer’s system. Each of you is adding to the other’s contributions and the Logic session is continually being updated. You write, arrange, and produce your songs as a team, albeit from different locations. Say you have a production partner with whom you collaborate. Rather than describe all of them, let’s look at a few scenarios and decide which route is optimal. It may surprise you that there is no clear one‑size‑fits‑all approach, and each solution has its pros and cons. While Logic Pro provides multiple means and methods for sharing projects and files, choosing the right one depends on a range of variables. We explore a few ways to share your Logic Pro projects with collaborators. The mix at the top of the session was provided by the band, the MIDI horn tracks are disabled, and each horn player added their part one at a time. This project was shared by five musicians (me, alto sax, tenor sax, trombone, and trumpet).
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